Night Parade wing

House

Rooms, thresholds, hearths, tools, and domestic company.

96 entries

Field-guide entries

In this wing

Aka Manto赤マント

red paper, blue paper

Regional

A masked figure in a red cloak appears in the stall and asks the trapped occupant: "Red paper, or blue paper?" Red: you're slashed and bled.

Akabeko赤べこ

the red cow that carries the pox

Regional

The nodding red papier-mâché cow of Aizu.

Akaname垢嘗

the filth-licker

Edo catalog

The akaname licks the scum from your bathtub.

Akubōzu & Agubanba灰坊主

the things in the hearth ash

Regional

Akita's hearth-yokai: the akubōzu ("ash monk"), living in the ash of the irori in Senboku and Ogachi districts, "appear when play with the ash".

Amazake-babaa甘酒婆

the sweet-sake crone

Regional

Late at night, a knock, and an old woman's voice: "Might you have any amazake?" Answer — answer at all — and sickness enters: smallpox, in the age when smallpox was the terror; a cold, in gentler tellings.

Amikiri網切

the net-cutter

Edo catalog

A serpent-bird-lobster with pincer claws, drawn snipping through nets: fishing nets drying on poles, mosquito nets over sleepers, sudare blinds.

Anmoアンモ

the burn-scraper who also heals

Regional

The Kitakami mountains' visitor: Anmo — hairy, strong-smelling, tengu-classed with a human-like face (and, oddly specific, "swollen abdomens...

Ashiarai-yashiki足洗邸

the foot that demands washing

Regional

A hatamoto residence in Honjo: nightly, a colossal hair-covered foot crashes through the ceiling with one demand — "wash it" (arae).

Azukihakari小豆はかり

the beans counted in the ceiling

Regional

Indoors, from the ceiling: "the sound of scattering beans" — a few at first, growing "increasingly loud, eventually resembling a whole bushel" — plus footsteps, geta-clatter, and water-splashing; invisible, harmless, Edo-attested (the classic haunt: a residence in Azabu, Tokyo).

Bakezōri化け草履

the runaway sandal

Picture only

At night, from the entryway, the sound of small feet — a straw sandal running the halls on legs of its own, one eye wide, chanting its nonsense anthem:

Binbōgami貧乏神

the poverty god

Regional

A shabby, emaciated old man, pallid, carrying a straw fan, who moves into your storage closet and makes your household poor.

Biwa-bokuboku琵琶牧々

the lute that plays itself

Chronicle

A biwa lute for a head, a fine kimono, seated in the tatami room at night "singing and plinking while lamenting the neglect of his former owner".

Boroboroton暮露暮露団

the tattered futon

Edo catalog

The futon too old and ragged to use — but kept anyway, "for various reasons" — rises at night as the boroboroton: the tattered quilt with eyes, shambling on its own corners [ja-boroboroton, per the Daijisen Plus gloss; sekien-1784].

Burabura不落不落

the lantern that might be a fox

Regional

A lantern tied to bamboo, tilted over the road, its split seam hanging open like a mouth — Sekien, Hyakki Tsurezure Bukuro.

Byōbunozoki屏風のぞき

the screen-peeper

Chronicle

A figure leaning over the top of a folding screen to watch the people behind it — Sekien's Konjaku Hyakki Shūi (1784).

Chirizuka-kaiō & Fuguruma-yōhi

the king of the dust-heap and the book-cart's ghost-consort

Edo catalog

Sekien opened his tsukumogami catalog (1784) with a horned red king prying open a great chest — the Chirizuka-kaiō, "monster king of the dust-heap" — and, plates later, a courtly woman rising from a cart of books: Fuguruma-yōhi, the book-cart's ghostly consort.

Chōchin-obake提灯おばけ

the lantern ghost

Picture only

A paper lantern split across the middle into a mouth, tongue lolling, one eye above — the kasa-obake's inseparable partner in every haunted house.

Dōnotsura胴面

the face on the torso

Picture only

A human body "missing everything from the neck up," its enormous face displayed on the torso.

Fuguruma-yōhi文車妖妃

the demon queen of the love letters

Regional

A woman rising from the fuguruma — the document-cart of palaces and temples — Sekien, Hyakki Tsurezure Bukuro.

Fukuro-mujina袋狢

the badger with the bag

Regional

A badger-figure — female, in the drawing — carrying a bedding-bag (shukuchoku-bukuro): Sekien, Hyakki Tsurezure Bukuro, adapting a figure from the Muromachi Hyakki Yagyō Emaki.

Furu-utsubo古空穂

the old quiver from the fox hunt

Regional

An old quiver, crawling — Sekien, Hyakki Tsurezure Bukuro, adapting a bow-carrying quiver figure from the Muromachi Hyakki Yagyō scroll.

Gotokuneko五徳猫

the cat who tends the fire

Edo catalog

By the hearth, a two-tailed cat — nekomata anatomy on domestic duty — wears an iron gotoku (the trivet that holds kettles over the fire) upside-down on its head like a crown, and blows the embers to life with a bamboo fire-tube.

Hannya般若

the mask that cries when it looks down

Edo catalog

The most famous face in the tradition is carved: hannya, the Noh mask of the jealous woman become demon — bull horns, metal eyes, the leering mouth.

Haradashi腹出し

the belly-dancer for the lonely drinker

Regional

The haradashi — "belly-exposer" — a shapeshifter whose constant is "the large, silly-looking face which appears on the creature's enormous stomach".

Hatahiro機尋

the loom-serpent

Edo catalog

Cloth off the loom become a serpent: a woman weaving while "harboring resentment toward her absent husband imbues the fabric with her malice," and the woven bolt transforms into a snake that goes searching for the husband — Sekien, Konjaku Hyakki Shūi (1784).

Hiiragi-iwashi柊鰯

the holly and the sardine head

Regional

At Setsubun, a holly sprig with a roasted sardine head goes up at the doorway.

Hikeshibaba火消婆

the crone who blows out the lamps

Edo catalog

An old woman who exists to make it dark: the hikeshibaba blows out household lanterns — at gatherings, or over travelers carrying their light home.

Himamushinyūdō火間虫入道

the idler's ghost who ruins overtime

Edo catalog

From under the veranda, at night, an old monk-thing hauls its torso up to lick the lamp-oil of people working late — dimming and dousing the lights of the diligent.

Hitobashira人柱

the human pillar

Chronicle

Where a dam kept failing, a bridge kept washing out, a keep kept cracking — tradition says the cure was a person, buried in the foundation as prayer made permanent: the hitobashira, "human pillar".

Honekarakasa骨傘

the bone umbrella

Picture only

The catalogs' actual umbrella yokai: not the one-legged mascot, but a karakasa stripped to its bones — paper gone, ribs bare — wreathed in fire and dancing on the air.

Hōsōshi方相氏

the exorcist who became the demon

Regional

The court's exorcist at the year-end tsuina (the oni-expelling rite Setsubun descends from): a masked officer in "a four-square mask with four eyes, right hand holding a spear, left hand holding a large shield," draped in bear skin — striding through the palace driving the epidemic demons out.

Hyakki Yagyō Emaki百鬼夜行絵巻

the parade, painted

Chronicle

The Shinju-an scroll (Daitokuji, Kyoto): attributed to Tosa Mitsunobu, 16th century Muromachi, Important Cultural Property — the night parade painted: a procession of tsukumogami, with animals and plants, and famously no explanatory text — "most scrolls lack kotobagaki, making the exact meaning unclear".

Hyakumonogatari Kaidankai百物語怪談会

the hundred-tales game

Regional

The tradition's own delivery mechanism, documented: a room, a hundred flames, a circle of tellers — one tale, one light out, darkness approaching arithmetically.

Ichiren-bozu一連坊主

the prayer beads who preached to the tools

Regional

The animated rosary: ichiren-bozu — "one-strand monk" — the Tsukumogami-ki scroll's own protagonist.

Inugami犬神

the dog god

Edo catalog

The inugami is western Japan's answer to the fox-familiar: a dog spirit created by sorcery, kept by families, transmitted through generations — and, exactly like Izumo's kitsune-mochi, the belief attached its stigma not to the spirit but to the families said to own it.

Izanami and Yomi黄泉

the first don't-look

Chronicle

Before any yokai, this: Izanami, the mother-creator, dies birthing fire.

Jami邪魅

the malice classified

Edo catalog

Sekien's plate carries its own definition: "Jami is a kind of chimi — surely the evil vapor of wicked spirits".

Jatai蛇帯

the serpent sash

Edo catalog

A woman's obi sash, left unwound in the night, rises as a snake.

Kameosa瓶長

the jar that never runs dry

Regional

A great jar with eyes, nose, and mouth — and Sekien's caption makes it the catalog's one blessing: "waters pour without end, drinks remain unchanged — an auspicious omen".

Kamiumi & Kuniumi神産み・国産み

the births of land and gods (grouped myth entry)

Chronicle

The two-stage founding: kuniumi — Izanagi and Izanami stir and birth the islands; kamiumi — they populate them with "natural deities (wind, wood, mountains, ocean gods)" — until the last birth: Kagutsuchi, fire, whose delivery burns Izanami to death.

Kaname-ishi要石

the stone that pins the earthquake

Regional

At Kashima Shrine (Ibaraki) and Katori Shrine (Chiba), two stones show only their tips above ground.

Kanedama金霊

the money spirit

Regional

Gold arriving as a spirit: Sekien's plate shows the kanedama visiting a virtuous household, filling the storehouse with coins — "heaven bestows fortune upon those performing good deeds".

Kasa-obake傘おばけ

the umbrella ghost

Picture only

One eye, one leg, a lolling tongue, a paper umbrella come alive — arguably the most recognizable yokai in the world, mascot of every haunted house in Japan.

Katawaguruma片輪車

the burning wheel and the taken child

Regional

A single ox-cart wheel wrapped in flame, rolling the night streets with a passenger — a beautiful woman, or a terrible man — cursing those who look.

Keukegen毛羽毛現

the hairy rarely-seen

Edo catalog

A small dog made entirely of long hair — no visible face, just hair — living in the damp dark under floors and in wet corners, bringing sickness to the household above.

Kidōmaru鬼童丸

the demon boy who hid inside a cow

Edo catalog

The demon boy of the Raikō cycle — the tradition's most cinematic assassination attempt.

Kōjin荒神

the rough god of the hearth

Regional

The kitchen's resident: Kōjin — "the rough god" — enshrined at the hearth, in his sanbō-kōjin form three-faced and six-armed, "displaying wrathful compassion similar to Fudō Myōō".

Komainu狛犬

the shrine's lion-dogs

Regional

At every shrine gate in Japan, two beasts: one mouth open — "a", the first sound, the beginning — one mouth closed — "un", the last, the end.

Kosode-no-te小袖の手

the hands from the sleeve

Edo catalog

A fine kosode kimono — donated to a temple after its owner's death, per the shinigawa custom of offering the dead's clothes — hangs in the hall.

Koto-furunushi琴古主

the old master of the koto

Edo catalog

A broken koto sprouts eyes and a mouth, its snapped strings hanging like unbound hair.

Kyōrinrin経凛々

the sutra scrolls in armor

Edo catalog

Sekien's most bookish invention: discarded sutra scrolls risen as a dragon-crested figure of unrolling paper — the loser's scriptures, armored.

Menreiki面霊気

the spirit of the masks

Edo catalog

A being made of theatrical masks — the accumulated spirit of gigaku masks, the oldest masked dance-drama tradition in Japan.

Mokumokuren目目連

the eyes in the screen

Edo catalog

Every hole in a torn shōji screen fills with an eye.

Namahageなまはげ

the visiting demon of New Year's Eve

Regional

New Year's Eve, Oga Peninsula, Akita: masked figures in straw coats storm the houses shouting "泣ぐ子は居ねがー" — "Any crybabies here?" — hunting the lazy and the whining, scolding children, driving out misfortune.

Narigama鳴釜

the singing kettle

Edo catalog

A hairy little figure wearing an iron kettle for a head, ema-plaque in hand — Sekien's narigama (1784).

Ne-no-kuni根の国

the root land, address disputed

Chronicle

The "root land" — the otherworld where Susanoo rules after his descent.

Nebutori寝肥

the sleep-swollen

Regional

A woman who swells gigantically in her sleep — until "she no longer fits in her room, emitting thunderous snoring sounds" — Ehon Hyaku Monogatari (1841).

Nuppeppōぬっぺっぽう

the blob of flesh

Picture only

A wandering lump of flesh, face suggested only "in the folds of fat," trailing a smell rivaling decomposition through night graveyards and abandoned temples.

Obariyonおばりよん

the piggyback rider that pays in gold

Regional

Night, a thicket path near Sanjō (Niigata): something small leaps onto your back shouting its own name, and starts getting heavier.

Ofuda御札

the paper that holds the line

Chronicle

The tradition's monsters have one standard-issue countermeasure: a slip of paper.

Oiwaお岩

the wronged wife of Yotsuya

Regional

Japan's most famous ghost.

Oshira-samaおしら様

the god of the girl and the horse

Regional

Tōhoku's household god comes in pairs: two wooden dolls — mulberry wood, 30 cm — one male or horse-faced, one female, wrapped in layer upon layer of cloth garments, kept in the alcove.

Otoroshiおとろし

the gate-topper

Picture only

A hunched mass of long hair with claws and tusks, crouched on top of a shrine gate.

Ouni苧うに

the hemp-hag who spins

Picture only

A woman demon-mouthed to the ears, her whole body shagged in what looks like heaped hemp fiber — the o of her name is the bast-fiber itself; "the yokai's hair and body fur resembled piled-up fiber bundles".

Rashōmon羅城門

the gate where the city ended

Chronicle

The capital's front door became its most haunted address.

Sakabashira逆柱

the upside-down pillar

Edo catalog

Install a pillar upside-down — against the direction the tree grew — and the house never forgives it: groaning beams at night, creaks with no cause, fires, ruin.

Sankai産怪

the birth-marvels

Regional

The class of beings "born instead of healthy infants...

Sansei山精

the backwards-heeled mountain imp

Edo catalog

A knee-high to waist-high mountain imp on one leg — with the heel mounted backwards, toes pointing behind [ja-sansei, per the Wakan Sansai Zue citing the Baopuzi].

Setodaishō瀬戸大将

the general of the china cabinet

Regional

A little general armored head to foot in assembled crockery — teapot helm, plate pauldrons, a sake-flask somewhere in the cuirass: the Setodaishō, "General of Seto ware."

Setsubun節分

the night Japan throws beans at demons

Regional

Around February 3rd, the whole country performs the tradition's oldest program: mamemaki — roasted soybeans hurled at the year's demons to the formula "Oni wa soto!

Shamichōrō三味長老

the shamisen elder

Edo catalog

The third chair of Sekien's string section: a master's shamisen, discarded after its player's day, risen as the "shamisen elder" — "the spirit of the instrument of one who led this art," per his caption [ja-shamichoro, per Inada/Tanaka 1992].

Shimenawa注連縄

the rope that draws the line

Regional

The tradition keeps insisting on boundaries: the sealed pass of Yomi, the kimon corner, the birth-hut door.

Shio-no-Chōji塩の長司

the man who ate his horses

Edo catalog

A wealthy Kaga merchant, master of 300 horses, who developed a taste for horse flesh — dead horses prepared "as miso and salt-pickled dishes," eaten regularly.

Shirime尻目

the eye where no eye should be

Regional

A figure on a night road near Kyoto drops its clothes, bends over, and reveals a single eye shining from its buttocks — "lightning-like."

Shirouneri白溶裔

the dishcloth dragon

Edo catalog

An old kitchen dishcloth, gone gray with use, rises as a small ragged dragon of cloth — undulating ("yōei," the caption's word, means the way things billow in wind) through the house.

Shōkeraしょうけら

the skylight watcher

Picture only

Sekien draws it clinging to a roof, peering down through the skylight — muscular, clawed, watching you.

Suzuhikohime鈴彦姫

the bell princess

Edo catalog

A woman whose face is a bell, crowned with the kagura-suzu — the tiered ritual bell-cluster shaken in shrine dance.

Takirei-ō滝霊王

the king in the waterfall

Edo catalog

The tradition's mildest possible ending to a milestone: Sekien's Takirei-ō (1781) is Fudō Myōō appearing in a waterfall — said to "emerge from waterfall basins in every province," his caption citing the sutra-commentary line that this power "subdues all demons and obstructions".

Tenjōkudari天井下り

the woman who descends from the ceiling

Chronicle

An ugly old woman, long hair wild, hanging upside down out of the ceiling — Sekien, Konjaku Gazu Zoku Hyakki (1779).

Tenjōname天井嘗

the ceiling licker

Edo catalog

Those brown stains high on an old ceiling — too high for any hand — have an author: the tenjōname, a tall yokai with an enormous tongue, licking the rafters by night, "particularly in the cold months when light cannot reach all the way to ceiling and casts weird shadows".

Tsukumogami-ki付喪神絵巻

the tools' revolt and their retirement

Regional

The tsukumogami doctrine's actual scripture: a Muromachi sermon-scroll narrating the revolt of the discarded.

Tsukuyomi月読命

the moon who was never forgiven

Chronicle

The tradition's whole territory — the night — has a warden it almost never mentions.

Ungaikyō雲外鏡

the mirror beyond the clouds

Edo catalog

A possessed mirror on a stand, tongue out, showing you what isn't there — or turning your reflection monstrous.

Wairaわいら

the crouching dread

Picture only

A massive bovine-bodied croucher with a single sharp curved claw on each forefoot — Sawaki Sūshi's Hyakkai Zukan (1737), Sekien's Gazu Hyakki Yagyō (1776).

Yamaoroshi山颪

the grater with a grudge

Regional

A humanoid whose head bristles with spikes — a daikon grater walking — from Sekien's Hyakki Tsurezure Bukuro.

Yanari家鳴

the house that creaks

Edo catalog

At night the house shakes — beams tick, walls knock, furniture trembles — and no one is doing it.

Zashiki-warashi座敷童子

the parlor child

Regional

The luck of a Tōhoku household, embodied as a child no visitor quite sees: a red-faced, bob-haired boy or girl of three to fifteen who leaves small footprints in ash, turns pillows over, and makes phantom spinning-wheel sounds.