Night Parade wing

Humans · The Writers

Writers, collectors, artists, heroes, and human carriers of the parade.

69 entries

Field-guide entries

In this wing

Aobōzu青坊主

the blue monk

Regional

The aobōzu is one name wearing a different mask in every prefecture: a one-eyed monk by a thatched hut in Sekien; a child-snatcher in spring wheat fields; a toilet-haunting blue face in Tōhoku schools; a small mountain god demanding sumo matches in Yamaguchi.

Gaki餓鬼

the hungry ghosts

Chronicle

The gaki are hunger perfected as punishment: reborn for greed into bodies with enormous bellies and needle-thin throats — appetite made infinite, satisfaction made impossible.

GeGeGe no Kitarōゲゲゲの鬼太郎

the revival's vehicle

Regional

The single most consequential work in modern yokai history: Mizuki's 1960 manga (anime from 1968, then roughly once a decade through 2020 — six series, each generation meeting the yokai anew).

Hakuja白蛇

the white snake, sacred by pigment

Regional

The white snake as institution: venerated as Benzaiten's messengers and wealth-bringers, enshrined at temples and shrines nationwide, with the standing folk terms — "killing them brings misfortune...

Hakuzōsu白蔵主

the fox in the priest's robes

Edo catalog

An old fox learns a hunter is setting traps — the hunter's uncle is the priest Hakuzōsu, so the fox becomes him: robes, voice, sermon and all, and visits the nephew to preach against fox-hunting.

Himamushinyūdō火間虫入道

the idler's ghost who ruins overtime

Edo catalog

From under the veranda, at night, an old monk-thing hauls its torso up to lick the lamp-oil of people working late — dimming and dousing the lights of the diligent.

Hitobashira人柱

the human pillar

Chronicle

Where a dam kept failing, a bridge kept washing out, a keep kept cracking — tradition says the cure was a person, buried in the foundation as prayer made permanent: the hitobashira, "human pillar".

Hitodama人魂

the soul flame

Chronicle

A ball of pale fire with a trailing tail, drifting from a house where someone is dying, toward the temple or toward a loved one's door.

Hitokotonushi一言主

the god of one word

Chronicle

Mount Katsuragi's god — met at the summit of his career in 460 CE, when Emperor Yūryaku, out hunting, encountered a figure dressed identically to himself.

Hōichi the Earless耳なし芳一

the performance the dead demanded

Chronicle

The blind biwa player Hōichi performed the Tale of the Heike so movingly that "even the goblins could not refrain from tears" — and his greatest audience turned out to be the tale's own subjects: a samurai retainer led him, night after night, to recite the fall of the house of Taira before what he believed was a nobleman's court.

Hōsōshi方相氏

the exorcist who became the demon

Regional

The court's exorcist at the year-end tsuina (the oni-expelling rite Setsubun descends from): a masked officer in "a four-square mask with four eyes, right hand holding a spear, left hand holding a large shield," draped in bear skin — striding through the palace driving the epidemic demons out.

Hyakki Yagyō百鬼夜行

the night parade (doctrine page)

Chronicle

The concept the whole project is named for: the Night Parade of One Hundred Demons — the yokai en masse, processing through the capital's streets on appointed nights, a thousand-year-old idiom "with no single canonical interpretation".

Jami邪魅

the malice classified

Edo catalog

Sekien's plate carries its own definition: "Jami is a kind of chimi — surely the evil vapor of wicked spirits".

Jinmenju人面樹

the tree of laughing faces

Chronicle

A tree whose flowers are human heads.

Jizō地蔵

the guardian at the river of stones

Chronicle

At the Sai no Kawara — the stony banks of the dead's river — the children who died too soon "are condemned to stack piles of stones, in vain, since the piles are repeatedly toppled by oni" — a Sisyphus built for the smallest.

Kakurezato隠れ里

the hidden village

Chronicle

Deep in the mountains, past a cave or a wrong turn no map repeats, a hunter stumbles into a village at peace: warm climate, no strife, kind hosts, comfortable days.

Kamikakushi神隠し

spirited away (concept page)

Regional

The doctrine behind half the tradition's abductions: kamikakushi — "hidden by the kami" — the reading of an unexplained disappearance as taken, by gods, tengu, or foxes.

Kanashibari金縛り

the metal binding

Regional

You wake and cannot move — conscious, pinned, a weight on your chest, often a presence.

Kangiten歓喜天

the elephant god nobody is shown

Regional

Ganesha in Japan: elephant-headed, human-bodied — and in his defining Japanese form, two figures embracing, male and female, "typically kept as a secret icon hidden from public view".

Komayō駒妖

the shogi enchantress (SUSPECTED HOAX — the source list's own contamination specimen)

Netlore

A beautiful enchantress in a midnight-blue kimono who appears on full-moon nights in Kansai's "chess bars and net cafés," challenging victims to a shogi-variant; losers' souls become yūrei; origins vaguely "traced to the Kamakura era, though historical sources are lacking".

Konjaku Monogatarishū今昔物語集

the thousand-tale warehouse (source anchor)

Chronicle

Where the tradition goes when it needs a tale's oldest telling: the Konjaku Monogatarishū — "over one thousand tales," early 12th century, anonymous, 28 of 31 volumes surviving — organized as Buddhism's eastward journey: India, China, Japan.

Kubikajiri首かじり

the head-gnawer (a 1966 invention)

Modern invention

The circulating lore: a person who starved to death while others withheld food becomes a spirit that visits the graves of those who refused it, digs up their corpses, and gnaws the heads.

Kūkai / Kōbō Daishi空海

the man who became an explanation

Regional

Kūkai (774–835): founder of Shingon esoteric Buddhism, student of Huiguo in Tang China, builder of Kōyasan and Tōji, calligrapher-poet-engineer — "among Japan's most accomplished individuals" by any accounting.

Kuzunoha葛の葉

the fox who left a poem

Edo catalog

The fox-wife tale-type's crowning version.

Kuzuryū九頭竜

the nine-headed dragon, three conversions

Regional

Nine heads, three addresses, one arc — the dragon subdued into office:

Kyūso旧鼠

the old rat

Edo catalog

A rat aged past a century into yokai-hood — the rodent entry in the tradition's universal rule that anything old enough turns.

Lafcadio Hearn / Koizumi Yakumo小泉八雲

the transmitter

Chronicle

Six of the primary texts archived for this bestiary come from one man: a Greek-Irish wanderer, blind in one eye, abandoned serially in childhood, who arrived in Cincinnati at 19 with "$5 in his pocket," became a crime reporter, was fired for his interracial marriage, documented Creole New Orleans — and landed in Japan in 1890, where he became Koizumi Yakumo, married Koizumi Setsu of a Matsue samurai family, taught school, and wrote the books that carried Japan's ghosts into English.

Momonjii百々爺

the old man at the crossroads

Chronicle

An old man with a heavy staff, met on desolate roads and crossroads in harsh weather; the encounter itself causes illness — Sekien, Konjaku Gazu Zoku Hyakki (1779).

Noppera-bōのっぺらぼう

the faceless one

Regional

A person like any other — until they turn, or wipe a hand across their face, and there is nothing there: "no eyes or nose or mouth," an egg of skin.

Onikuma鬼熊

the demon bear of Kiso

Edo catalog

An ancient bear of the Kiso Valley turned yokai: it comes down from the mountains at night, "walks upright like a human," and carries off cattle and horses "back to the mountains for consumption" — Ehon Hyaku Monogatari (1841).

Onmyōdō陰陽道

the state's department of the invisible

Regional

The tradition's monsters had a government agency.

Onryō怨霊

the vengeful spirit (doctrine page)

Chronicle

The class page for the tradition's angriest wing.

Orikuchi Shinobu折口信夫

the deductive folklorist

Regional

1887–1953. Folklorist, literary scholar, and poet — publishing verse under the pen name Shaku Chōkū (釈迢空).

Ōyamatsumi大山祇神

the mountain father who priced mortality

Chronicle

The great mountain god — father of the tradition's most consequential wedding offer.

Rokurokubiろくろ首

the long-necked woman

Edo catalog

By day an ordinary woman — usually unaware of her own condition; by night a neck that stretches like a pulley-rope toward the lamp oil, or in the older form, a head that detaches entirely and flies.

San'yūtei Enchō三遊亭圓朝

the voice of the ghost stories

Regional

The tradition's tales were painted (Sekien), novelized (Akinari), translated (Hearn) — and spoken.

Sansei山精

the backwards-heeled mountain imp

Edo catalog

A knee-high to waist-high mountain imp on one leg — with the heel mounted backwards, toes pointing behind [ja-sansei, per the Wakan Sansai Zue citing the Baopuzi].

Shichifukujin七福神

the seven lucky gods (grouped entry)

Regional

The seven-god board of fortune: Ebisu (the one native Japanese member), Daikokuten, Bishamonten, Benzaiten (the Hindu-Buddhist arrivals), Fukurokuju, Jurōjin (the Daoist stars), Hotei (the Chan monk) — an intentionally international committee: six imports and one local, assembled by Edo popular religion into Japan's most beloved divine unit.

Shijin四神

the four guardian beasts

Regional

Four beasts, four directions, four seasons, four colors: Seiryū the azure dragon (east), Suzaku the vermilion bird (south), Byakko the white tiger (west), Genbu the black tortoise-snake (north).

Shimenawa注連縄

the rope that draws the line

Regional

The tradition keeps insisting on boundaries: the sealed pass of Yomi, the kimon corner, the birth-hut door.

Shio-no-Chōji塩の長司

the man who ate his horses

Edo catalog

A wealthy Kaga merchant, master of 300 horses, who developed a taste for horse flesh — dead horses prepared "as miso and salt-pickled dishes," eaten regularly.

Sorei祖霊

the dead, promoted on schedule

Regional

The system the whole ghost-tradition presumes: the dead undergo "successive rituals, eventually becoming ancestor spirits through an enshrinement ceremony conducted 33 years post-death" — after which they "lose individual identity and merge with the ancestral collective".

Sunekosuriすねこすり

the shin-brusher

Regional

On rainy Okayama nights, something soft and dog-like presses through a walker's legs — brushing the shins, tangling the stride — and does nothing else [wikipedia-sunekosuri, per a 1935 yōkai dictionary].

Tatarigami祟り神

the curse gods (concept note)

Regional

The widest category in the tradition's wrath taxonomy: tatarigami — "a category of wrathful or inimical spirit" spanning Shinto, Buddhist, and syncretic practice, "rang from primordial deities like Yamata-no-Orochi to the restless dead seeking retribution".

Tengu天狗

the heavenly dog

Chronicle

The tengu is Japan's mountain lord: a Chinese "celestial dog" that arrived as a comet omen, grew wings and a beak, made war on Buddhism, then rose — by way of the mountain-ascetic imagination — into a red-faced, long-nosed demigod who teaches swordsmanship, punishes arrogance, and owns the peaks.

Tesso鉄鼠

the iron rat

Chronicle

The priest Raigō of Mii-dera prayed an heir into existence for Emperor Shirakawa — and was cheated of his promised reward by temple politics.

The Spirit Glossary

the roster's vocabulary block (grouped entry)

Regional

This bestiary's roster (built from a Wikipedia list that swept in vocabulary alongside creatures) carries a block of concept-words — terms, not beings.

Toriyama Sekien鳥山石燕

the cataloguer

Edo catalog

The single most consequential person in yokai history was a frustrated Kanō-school painter who turned to woodblock.

Tsukumogami付喪神

the tool spirits (doctrine page)

Regional

The doctrine behind an entire tier of the tradition: tools, sufficiently old and used, gain spirits. The umbrella term is tsukumogami, and Sekien's entire fourth catalog (1784) is a parade of them — the lute that plays itself, the mirror that shows other things, the mask with a soul.

Ueda Akinari上田秋成

the tradition's great literary artist

Regional

In 1776 — the very year Sekien published his first catalog — another Osaka man perfected the yokai's literary form.

Uji Shūi Monogatari宇治拾遺物語

the human-scale collection (source anchor)

Chronicle

The setsuwa trilogy's third and warmest shelf: the Uji Shūi Monogatari — "gleanings of Uji" — early 13th century, anonymous, 197 tales in 15 volumes, "from nobles to commoners," from the mundane to the fantastical, and — distinctively — light on sermon: the collection that let its tales be funny.

Yamauba山姥

the mountain crone

Regional

The yamauba is the mountain's old woman: golden-white unkempt hair, filthy tattered kimono, and — in the darker tellings — a second mouth hidden under the hair on top of her head.

Yanagita Kunio柳田國男

the founder

Regional

Every serious claim this bestiary makes eventually routes through one man: Yanagita Kunio (1875–1962), agriculture-ministry bureaucrat turned founder of minzokugaku — Japanese folklore studies — whose 1910 Tōno Monogatari is this bestiary's primary anchor for the zashiki-warashi and the red-faced kappa, and whose theories (the one-eyed fallen gods, the giants as demoted deities, the mujina etymologies) recur through our entries as the standard scholarly layer.

Yatagarasu八咫烏

the crow that navigated an empire

Regional

The three-legged crow sent by Takamimusubi to guide Emperor Jinmu's eastern campaign through the Kumano mountains to Yamato — the founding navigation of the founding dynasty, outsourced to a bird.

Yōkai妖怪

the word itself (master definition page)

Regional

Two kanji, each meaning "suspicious, doubtful" — from Chinese yāoguài, but grown into meanings the Chinese word never held.

Yorishiro依り代

the vessel doctrine

Regional

The occupancy law under the whole tradition: yorishiro — objects "where Shinto deities temporarily descend and manifest".

Yuki-onna雪女

the snow woman

Regional

The yuki-onna is winter given a face: a tall pale woman in white who appears in snowstorms, floats without footprints, and freezes the unwary with her breath.

Yūrei幽霊

the faint spirit (doctrine page)

Edo catalog

The general theory of Japanese ghosts, carried as a doctrine page so the many yūrei entries share one theology.